Why musicians can’t avoid women, wine, weed — Lagbaja

 

The first Nigerian musician to come masked.‘Lagbaja was just something else when he arrived on the scene and effortlessly took up the music space. Distinct and phenomenal. In this interview he offers the world a peep into his life and career…

What has been happening to Lagbaja?

Good things. The latest is we had a couple of singles about a couple of months ago and we hope by God’s grace to have the album itself in another two weeks.   

What makes a good musician?

Hmmm! That’s a very deep question and I will start by breaking it down to say that first of all, there’s a huge difference between a musician’s musician and a musician or what some people call entertainer and a musician. What makes a good musician starts from how much time you put into your craft. In this environment, we clap a lot for mediocrity, but I try to think in terms of what is the global standard. That’s the only thing that matters if you really want to be a good musician. You need to spare time for your art. First of all, it’s good to be able to play an instrument or understand the feel.

You don’t have to compulsorily be an instrumentalist. I mean, Michael Jackson was a good musician; Luther Vandros was a good musician;  but I love people like Stevie Wonder, Quincy Jones, George Benson and the other guys like Miles Davis. You know, Stevie Wonder will play keyboards and compose songs and sing. He’s the kind of musician I want to be; like Fela Kuti. Fela was one of the most incredible arrangers. He will just sing the song without knowing what is behind the music. That  is  the genius of accomplishment as a musician.

So, what it takes in my perspective, would mean six to eight hours a day of working out. Personally, I’m just motivated to create. I sometimes don’t even think about how I want to sell the music. In today’s entertainment world, you  probably do more work trying to sell than create. I am the other way round because the creative drive is my biggest force. So, I just want to create. So, all my time is spent just making music and less time is spent disseminating it. That’s actually what makes, I would say, a good musician. 

What is the costliest mistake that most musicians make?

My opinion will sound a bit odd. But it is the way I understand the question. The costliest mistake is not to know why you have chosen to be a musician. It’s like what I described just before now about the depth of being a musician. If you really go deep into the music, be ready for poverty, because the deeper the music, the smaller the audience. So, first of all, you should ask yourself-it will be a mistake not to ask yourself -why do I want to be a musician? Is it to make money, is it to express myself, is it to learn about the art? If it is to make  money and you’ve answered that question, then you need to do things in some particular way; you need to think in terms of hype,  your celebrity status, being everywhere, pushing stuff.  If it is about understanding the art, you need to think a different way. So, the very first major mistake a musician will make is not to understand why he or she is a musician. If you can answer that question, you will make your career better.

Why do most musicians find it difficult to manage stardom?

One, nobody is trained in the art of managing stardom, because it just comes and then it’s like you are thrown into the pool and you must learn to swim or sink. Those who manage stardom are those who had been grounded about the realities of life ever before they attained stardom. Two, There are those who become stars a little later in life, who are a little older sometimes, manage stardom better because they’ve learnt to be grounded. It’s like suddenly the whole world is shouting and screaming at your name; suddenly it’s you, you, you, you, you and then the money is flowing and you don’t understand that everything is a cycle and the time will come for most people, except you plan your career on a long term basis.

If you over-expose yourself, your   life would be a lot shorter, because it’s not just about the music. What you  are selling is actually yourself. Believe me, it’s not about the music, because nowadays we talk about brand and stuff like that, it’s mostly about what you are selling yourself So, if you are able to be grounded, if you understand life and you know what you are doing, it will be easier to manage stardom.

What don’t you like about stardom? Fortunately, that’s partly why I wear the mask. Stardom is a dangerous thing. One, like people who take drugs or sorry, people who sell drugs. The first thing they tell them is don’t use your drug. The moment you  start to use the drug you are selling, you are finished; you become an addict. Same thing with stardom. The moment you start to believe the hype, you are finished, because it’s hype. It’s not real.

The moment you think you are king, the moment you think this is me, it’s just a matter of   time before you start going down. And again, stardom doesn’t  allow you to live a normal life, which in the case of   Lagbaja is a very  good advantage of the mask because once your mask is off, you can  actually have the freedom of enjoying life. Because stardom sometimes can be an imprisonment, it can be like shackles in your hands. The things I would do without the mask, many celebrities who are even half my status would dare not do, because ah,  won gbodo ri   to n park, buying boli.  They must not see him in some kind of instances. It can sometimes be like shackles in your hands. 

Do you like anything about stardom?

Yes! The most powerful thing about stardom is your voice is listened to. When you say something, people somehow give you a little space, more than the person they don’t know, so you can actually be a very powerful voice; be very impactful in things that you say than a non­  star.

Why do most musicians attain success, but find it difficult to sustain it?

It’s not just musicians; success is one of the most difficult things to sustain if you don’t have.  a vision and a game plan. No. 1, if you look at businesses, not many businesses have a long life span; not many people would start a magazine and it would be here in the next five years not to talk of 20 years from now.

But we all think, no, me I can do it, we can do it. It comes down to your vision. People who sustain their success are those who actually had a vision and chased that vision and lived for that vision no matter what. It’s a rough road. If you read the  .story of Steve Jobs, his biography, you will understand how rough and lonely that road could be. But today, here we are carrying iPods and iPads and everything because he had the vision and he had the drive to sustain that vision. 

Why do most musicians find it difficult to repeatedly come up with hit numbers?

No. 1; you never can tell what makes a hit. Don’t fool yourself. If you really want to be true, you can conjure up something and think, but even Quincy Jones tells  ·you – you can think, yeah, this is sounding good; it would be good, but you never can tell until the people hear. That’s one. Two, tastes change all the time. They are always changing, they never remain the same. No. 3, the audiences change all the time.

Like today, you will hear a lot of names, loud there, because they are playing for their age group. The moment their age group moves to the next level, they might have difficulty in reaching a younger group, except they now start   behaving younger than   their age. So, for music, it’s a little more difficult than I’m selling sweet. I’m selling chocolate, I’m   selling   products which   stay   the   same.   So, when you   have   for example, like a  Bournvita,    there will always be young people who would be born, who   would   eventually grow to the age of   needing to drink  Bournvita.  Even   when   some grow old   and   move   to   other kinds   of beverages, there will always be a cycle of   other people that will come. It’s   different from the   arts   or   for   music   in   particular where   taste changes.   No. 4, taste   makers   and   taste   itself   can   be   fickle. It’s   not about the depth of   it, but the fun of   it. So, you have a hit for example and it’s not   because of   what   you sang about, but something worked and     the     timing   and     then     somebody else   liked   it   and   it   became something else. So many reasons. 

Which of your songs gives you the greatest joy and why?

I will say many of them do o!

We want you to single out one?

It’s difficult. It’s difficult to do. Maybe I can say five.

What is the greatest thing that music has done for  you?

A sense   of fulfillment. That I could dream up something and I could make a little success of it. Because, believe me, at the beginning I wasn’t comfortable with being a musician, because I was afraid that it would be difficult to make good living, and for   many years when it would be tough and I would see my friends and classmates already MDs of   banks, riding big cars and everything, you wonder: have you not made a mistake? So, being able to live with my passion and make a success of it, even though it was tough, I think that’s probably one of the biggest things.

What hasn’t music done for you?

It  hasn’t  made  the  change  I  thought  it  would  make  and  now  I’ve settled  to  understand  that  music  would  not  change  things  as  quickly  as I want it to change, because we are still singing the same songs Fela sang  donkey  years  ago.  No food,  no  water, no  light,  no  house; corruption  this, corruption  that.  Why  hasn’t the  music made a difference? Why are people just  saying ah!  Otito Io so o!  Ah, hmm! Good song, and they carry on with the madness.  So,  it has not made  the quick change I thought it would make in terms of social, political consciousness.

Why do most musicians find it difficult to extricate themselves from the clutches of women, wine and weed?

The   three terrible Ws …because   they   are sweet.   And really anything sweet; sweet means they arc pleasurable and you know pleasure is the easiest thing to fall victim to and really it’s not just musicians.   It’s everywhere, especially the one with women and wine.

Most musicians make money, but they are not able to manage it, what do you think is the problem?

I think that is changing now. 1 think the problem basically was ignorance. One thinking it will be coming forever. It won’t  come forever. It’s a cycle and sometimes you  might be lucky to have many valleys and hills, several ups and downs. Sometimes it’s just one gbaao! And then you are just struggling to be there again. So, ignorance, thinking it will always come forever. No. 2 is not knowing that when you have the little that you have, invest. And that’s why I said things are changing now, because now there’s better information and people now know that you  can actually have investment managers and somebody who will advice  you on what to do, so that what you have today would be meaningful 15 years from now. I was fortunate that I had such people who were actually at that time founders of some of the topmost banks and they will tell you okay, this is what to do, go and see that, go and see this. Sometimes I didn’t follow their advice, but at least you knew what to  do.

Take things like ordinary insurance, we just kept paying, kept paying and I felt ah, please of this is too much, until we lost somebody in the band in 1999.That was when we now found that wow, it was a worthwhile investment. Because we lost one single person, but paying group life, paying group personal accident didn’t compare to how much we got for the family of the person that passed on. Something as simple as that, even though will sound like a   succour, when bad times happen, you will find that it makes sense. I think there’s more information available now and I think nobody will have an excuse to say he’s ignorant, he doesn’t know that there are ways to invest.

Do you think you would have succeeded this much without your  mask?

I would have succeeded more, but I might have also been a victim of that success and stardom. I will tell you something about the mask. The mask is actually a hindrance, because the most powerful thing for an artiste, a musician is your face, is when you communicate, especially if you have a good face.

I mean, forget the story about Lagbaja’s ethnic marks, facial marks; they don’t know what they are saying. If I’m singing on stage, this mask sometimes is just a plank,  because, when you see he’s squeezing his face, he’s turning his mouth,  you see all his expressions those expressions are powerful communication tools. So, the mask actually makes your work more difficult to communicate, because they can’t see the expressions, so you need sometimes exaggerated movements- you move your head, move your body, move your leg, when actually I can just look and my look can communicate. We have the culture of expression.

If   you look at the child with one eye, he knows what you mean.  To bayi imu,  he knows what it means, and that’s why I say if you watch pastors for example, you wonder why does Pastor Adeboye sound in one way and one style,   apart from the   reading of the stock and still communicate in a different way from a Pastor Bakare or a Pastor  Okonkwo or a Pastor Okotie. The expressions are impactful.

They are all talking from the Bible, but their choice of words, their gestures and their expressions which this mask doesn’t let you communicate is sometimes a hindrance. Well, being articulate as I am; I’m not trying to sound like some proud guy, but I know I can communicate what I want to communicate. Being this articulate would have been a more impactful thing because my brother, it’s not about the music, it’s about the person. I can sing thrash and still make something huge because of my persona, my personality. So, I think l would have been much bigger than this, but then I would have had to deal with the short comings of stardom and the short falls of a celebrity status.

What singular decision did you take as a musician that turned your life around?

Being the musician myself, because I started by being a man behind the scene. In 1995, which is very funny today when you think back- I felt I was too old to be a musician. And here I am today, being a musician. I wanted to be a producer and a label owner. That was simply because I felt I was too old. And No.2, I felt there is more, both economically and control-wise and adventure and fun being the man behind the scene in 1985. But the moment I decided, it’s a very funny long story, to start playing music myself, believe me, my career made a u-turn instantly that you can do it yourself, but it wasn’t Lagbaja to start with. It was some guy without a mask. But the first show we had, it was as if what have I been doing all these years, wasting time. 1990, August 24, I’m counting money. More than what I’ve been getting working in the studio. It was like where have you been all these years? So, the decision to transform from the man behind the scene to the man in front of the mic and scene was the singular most transforming decision.

Source: Azuh Arinze’s ‘Conversations with showbiz stars’